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Sir Thomas More: Third Series (Arden Shakespeare), by William Shakespeare, Anthony Munday, Henry Chettle
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This edition of Sir Thomas More is the first to bring the play into the context of a major Shakespeare series, to provide a substantial critical analysis, and to offer a comprehensive modern stage history. The introduction deals with issues such as the strange involvement of the anti-Catholic spy-hunter Anthony Munday as chief dramatist, the place of Sir Thomas More as a Catholic martyr in Protestant late Elizabethan culture, and the play's representation of a multi-cultural London. The text itself, supported by a searching and detailed commentary, adopts a distinctive presentation that enables readers to keep track of the manuscript and the hands that produced it, while engaging with the play as a fascinating theatrical piece.
Sir Thomas More deals with matters so controversial that it may never have reached performance on stage. The authors' determination to deal with rioting and religious politics led to a play that is compelling in its own right but also intriguing as a document of what could, and could not, be articulated in the early modern public theatre. Surviving only as a manuscript text on which Shakespeare was thought to have worked, it can be considered to be the most important play manuscript of the period, owing to its highly complex witness to collaboration between dramatists and to censorship.
- Sales Rank: #3765217 in Books
- Brand: Brand: Bloomsbury Arden Shakespeare
- Published on: 2011-05-01
- Released on: 2011-05-01
- Original language: English
- Number of items: 1
- Dimensions: 8.13" h x 1.20" w x 5.35" l, 1.32 pounds
- Binding: Hardcover
- 360 pages
Features
- Used Book in Good Condition
Review
“Intriguing...John Jowett, editor of this edition, has provided detailed and accessible notes and commentary which highlight the play's problems and nuances very well.” ―The Stage
“Enthralling publication...Editor John Jowett offers sound reasoning for the imprint's inclusion of what was for quite some time considered to be Apocrypha. That thanks to modern textual analysis, consensus seems to be moving towards the idea that sole authorship of most texts was anathema to Elizabethan and Jacobean playwrights...Jowett offers biographies of varying complexities for them all and its in these passages that we most understand the world within which such a manuscript could be created with various acting groups competing against one another, manuscripts passed about and edited or amended to suite the needs of production. There have been serious attempts recently to rehabilitate the play both at the RSC and the Globe...and this brilliant Arden edition will definitely help.” ―thehamletweblog
About the Author
Professor John Jowett is Chair of Shakespeare Studies at The Shakespeare Institute, University of Birmingham. He is a Series Editor of the Arden Early Modern Drama series and an Editor of the New Oxford Shakespeare Complete Works.
Most helpful customer reviews
3 of 4 people found the following review helpful.
A most interesting play
By Inkhorn
I must admit I awaited the publishing of this book with some anticipation, hoping that it might go into some detail on the whole 'Hand D' issue which some Shakespeare scholars consider to be Shakespeare's handwriting. How they can make such an evaluation is open to question, as the only sample to which to compare this handwritten manuscript is six poorly formed and inconsistent signatures.
Recently, a scholar named Bruster from the University of Texas accepted this doubtful attribution as fact, and studied spelling variants to claim that Shakespeare wrote the additions to Spanish Tragedy. If one attempts to make a case based on spelling variants based on a dubious attribution one is on doubly shaky ground. He des this in hope that two conjectures might equal a fact. However, he fails to acknowledge the evidence and the fact that according to Henslowe's Diary Ben Jonson was paid for making the same additions shortly before the play was republished with those additions in 1602.
I also hoped that it would show the handwriting and photograph excerpts in sufficiently detailed form so that one could make one's own evaluation. Although the scholarship is quite engaging, the photograph excerpts are not sufficient for one to do one's own evaluation if one wishes, in my opinion. Another thing is that the presentation is choppy with some many footnotes on single pages, that there may be only several lines of dialogue on a single page. I found this quite disruptive to the continuity of reading, compared to say reading it on Kindle where one can look up individual words or meanings as one goes along.
Sir Thomas More lay unpublished as a manuscript for about two hundred years, then receiving a publication as Shakespeare in book form. The play was a collaboration between several authors, and several portions of it were subjected to censorship. The play does have some points of interest particularly in dealing with this Catholic martyr who lived and died under King Henry VIII's reign.
For instance as a study in pathos, it's absolutely excellent with fascinating dialogue for example between More and his executioner, who admires him, and so is reluctant, and an earlier scene which I am sure would hold an audience spellbound shows a group in the process of being executed when a pardon arrives for all.
A critique of this play is that the cast is too large making it unwieldy for the economics of regular production.
All in all, I do recommend this play, there are cheaper and what you may find to be better alternatives. In my travels I found a rather interesting version online which I could read and enjoy without all the choppiness of showing the different hands, which probably would have been better shown in the appendix.
I leave it to your tender discretion, and highly recommend the play, although I would recommend reading another version first, before investing in this particular version. The Oxford Edition shows passages thought to be Shakespeare which runs to about two pages in that edition, and only about four pages if you reading in a regular format.
I think most people will enjoy the play, and I hope this was helpful.
0 of 0 people found the following review helpful.
Five Stars
By Gregory
So happy to read this at last, with the usual splendid Arden notes & for cheap.
2 of 2 people found the following review helpful.
Fascinating look at the man and the play!
By Joseph M. Reninger
While browsing through one of the Shakespeare bookstores in Stratford-upon-Avon this volume caught my eye. I had never heard that Shakespeare wrote a play on Thomas More. After looking through it at the store it was clear he hadn't written the entire play. He was one of about four other authors and he revised an already prepared text. Loving St. Thomas More as I do, I couldn't resist and bought the book.
The book is part of the Arden Shakespeare series, a scholarly series designed to support both literary research and theatrical presentation. The introduction is 120 pages, covering the history of writing the play, prominent themes in the play, sources used by the playwrights, performance history, and staging advice. It's quite comprehensive if occasionally bogged down in critical literary jargon, for example this passage concerning a scene where Thomas More and his servant Randall swap clothes to see if they can fool Erasmus into thinking Randall is More:
The exchange of costumes for the purpose of metatheatrical role-playing asserts the nature of the play itself as an enactment for the commercial theatre, and places the institution of theatre in relation to the play's subject-matter, the learned scholar. The low social and intellectual status of the actor of More in relation to the role he is playing corresponds with the social and intellectual status of the role of Randall - though the play insists repeatedly that More is himself of humble origin. [p. 78]
Fortunately the historical comments are straightforward and interesting. The four or five authors used various sources on More's life, some favoring More and some despising him. More was still a controversial topic when the play was written (around 1600), with Queen Elizabeth on the throne. More had refused to acknowledge the authority of Henry VIII over the church in England and implicitly his marriage to his second wife (the mother of Elizabeth). The play was reviewed by a censor who made many suggestions and deletions, all of which readers can see in the main text.
The text of the play itself is a critical edition, with extensive footnotes clarifying who wrote what and explaining the meaning of the archaic words and phrases. It requires a little patience to read. I read the play before I read the introduction. I definitely recommend that reading order since the introduction discusses details of events in the play, events I was unfamiliar with from other sources. I would have been somewhat lost in the introduction without reading the play first.
The play is in roughly two halves. The first half deals with More's rise to power in England, eventually becoming Chancellor. The main incident depicted is a near-riot of lower class workers. They want to burn the homes of foreigners in London who have the favor of the king and have been putting natives out of work. More, as a sheriff of London, speaks to the crowd and quells their anger. His service in averting the riot is what brings him political success. [Historically, this incident is almost twenty years before More becomes chancellor and lots of other events and actions contributed to his rise.]
The second half deals with his life in court, his refusal of the Oath of Supremacy (never named or detailed in the play), and his eventual execution. Throughout both halves, his jovial nature, both in personal affairs and as a lawyer/political figure, is demonstrated by many witty little scenes. If A Man for All Seasons is the straight-laced drama of More's life and death, this is much more like a comedy. Not that the play makes fun of More, but it presents his penchant for jests, for being witty in both the smart and the funny senses of the term.
The play is a little uneven in that it moves from episode to episode in More's life without a strong sense of connection between the scenes. Various court room scenes tell us more about More's character but do not point us to his eventual decision and fate. I still found it fascinating reading and would not mind seeing a stage production of this play (which is the proper way to experience a play, after all).
The book also has several appendices with textual analysis of the additions and deletions to the play, a close look at authorship of various parts, and some passages from source materials. I only skimmed through this part since it was very scholarly and not my main interest.
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