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(Music Sales America). This book/CD series provides solos, duets and songs covering four centuries of composers for the guitar and lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score.
- Sales Rank: #162325 in Books
- Brand: Music Sales
- Published on: 2000-07-01
- Released on: 2000-07-01
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x .32" w x 9.00" l, 1.10 pounds
- Binding: Paperback
- 120 pages
- Used Book in Good Condition
About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Excellent value
By Dmitry
This is a great collection of Renessanse pieces.
I am an intermediate guitar player (say, five years of playing) and the easy pieces are just immediately playable, intermediate are "browsable" (e.g. I can easily walk through them to get the idea) but would require a week or two to play smoothly, and "advanced" are hard, yet doable (I could probably take one as a 3-8 months project).
For a beginner it might be a good book as well, just make sure you're familiar with music notation already. This is a nice collection of pieces with fairly thoughtful fingering and advices about difficult parts. This is not a self-help guitar/music text book, and it doesn't have tabs (I am so happy about that, tabs would probably make it twice thicker).
Fingering is very good, and very thorough, sometimes with thorough right hand fingering. I disagree with fingering in some cases, but in any case, the proposed variant is at least "very good" if not "excellent".
RE CD. I am a little bit disappointment, CD alone would get maybe "3 star". It's OK to illustrate pieces, it's done by a professional guitarist, but it's definitely far away from a "world-class concert level performance". E.g. the last few lines in Mudarra's Fantasia where bass line is main melody and upper voice is accompaniment: bass line is not emphasized (it's quieter than the accompaniment) and it's not at all smooth.
27 of 27 people found the following review helpful.
Another of the Great Frederick Noad Titles
By M. R. Sheffield
As far as guitar sheet music/song books go, Frederick Noad was and is a name to be trusted. This collection is no different from his others. A first rate compilation. I rarely have problems with his fingering suggestions. The selections are top notch and always include a few surprises! Mr. Noad was truly one of the finest classical guitar teachers of the 20th century (and a top flight guitarist to boot). His legacy lives on in his songbooks. I own everything he published and recommend him most highly to beginner, intermediate and advanced students alike.
7 of 7 people found the following review helpful.
Variety and value
By Paul Magnussen
I see that everyone else has covered the ground pretty well, so I'll just add two things:
Firstly, that I agree with the reviewer who thought that the pieces should be arranged for 3rd string to F# (as in N� 52), to simulate lute-tuning: using normal tuning just creates problems for yourself, in all but a few cases�. Still, the fingering is generally easy enough to change, so it's still a good book.
And secondly, here's a list of the pieces:
01) Anon: Spagnoleta
02) Fuhrman: Tanz
03) Besard: Branle Gay
04) Cutting: Toy
05) Anon: Wilson's Wilde
06) Anon: Lesson (Duet)
07) Campion: Shall I Come Sweet Love to Thee? (Song)
08) Le Roy: Branle de Bourgogne
09) Anon: The Parlement
10) Dowland: If My Complaints (Song)
11) Anon: Volt
12) Milano/Matelart: Recercate Concertante (Duet)
13) Valderr�bano: Sonnet
14) Milan: Pavan
15) Anon: Fantasia
16) Dowland: The Round Battle Galliard, P. 39
17) Campion: Never Weather-Beaten Sail (Song)
18) Anon: Le Rossignoll (Duet)
19) Dowland: Tarleton's Resurrection, P. 59
20) Mertel: Ballet
21) Holborne: Galliard
22) Anon: The Cobbler
23) R. Johnson: Alman
24) Rosseter: Galliard
25) Milan: Toda mi vida os am� (Song)
26) Holborne: The Night Watch
27) Anon: Drewries Accordes (Duet)
28) Dowland: Air, P. 49
29) Anon: Go from My Window
30) V�squez: Morenica da me un beso (Song)
31) Robinson: A Toye (Duet)
32) Fuenllana: Fantasia
33) Cutting: Greensleeves
34) Narv�ez: Gu�rdame las vacas
35) Dowland: Melancholie Galliard, P. 25
36) Campion: When to her Lute Corinna Sings (Song)
37) Mudarra: Gallarda
38) Pilkington: Mrs Anne Harecourt's Galliard
39) Dowland: The King of Denmark's Galliard
40) Dowland: Queen Elizabeth's Galliard, P. 41
41) Dowland: Lady Hammond's Almaine, p.48�
42) Dowland: My Lady Hunsdon's Puffe, P. 54
43) J. Johnson: The Flatt Pavan (Duet)
44) J. Johnson: The Galliard to the Flatt Pavan (Duet)
45) Holborne: As I Went To Walsingham
46) Dowland: Come Heavy Sleep (Song)
47) Cutting: Almaine
48) Rosseter: Mrs Taylor's Galliard
49) Pilkington: Rest Sweet Nymphs (Song)
50) Mudarra: Fantasia
51) Ballard: Entr�e de Luth
52) Dowland: Fantasie, P. 1
53) Campion: My Love Hath Vowed (Song)
54) Ford: Mrs Southcote's Pavan (Duet)
55) Bartlet: When From My Love (Song)
�Mostly pieces in A Minor or D Minor, wherein an open F# tends to be a hindrance rather than a help.
�Lady Hammond's is normally called Lady Laiton's, and is named thus in Dowland's autograph in the Folger manuscript.
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