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Hamlet-Machine and Other Texts for the Stage, by Heiner M�ller
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This best-selling volume contains several of the German author's most controversial dramas, in which he radically questions how culture, myth, art, and social relations create history. Includes: Hamletmachine, Correction, The Task, Quartet, Despoiled Shore, and Gundling's Life. One of the most original theatrical minds of our time, Müller, who resided in East Berlin before his death in 1995, was a frequent collaborator of Robert Wilson.
- Sales Rank: #185388 in Books
- Brand: Brand: Performing Arts Journal
- Published on: 2001-07-01
- Original language: English
- Number of items: 1
- Dimensions: 8.70" h x .50" w x 6.00" l, .48 pounds
- Binding: Paperback
- 144 pages
- Used Book in Good Condition
Language Notes
Text: English, German (translation)
About the Author
Carl Weber was a collaborator with Bertolt Brecht, and is an internationally known stage director. Carl Weber was a collaborator with Bertolt Brecht, and is an internationally known stage director.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Theatre Factory
By slam_inc.
Heiner Muller was one of the most vital playwrights of the 20th Century and is now invaluable in the 21th Century. This volume Published by PAJ and Edited and Translated by Carl Weber is essential. It covers Muller at a crucial period in his writing in the mid seventies and through to the early eighties. These were the most recent of his performance texts at the time of original publication with the exception of the socialist realist piece THE CORRECTION---one of his earliest plays. The performance texts contained within are:
THE CORRECTION [with Inge Muller] (1957), MEDEAPLAY (1975), HAMLETMACHINE (1977), GUNDLING’S LIFE FREDERICK OF PRUSSIA LESSING’S SLEEP DREAM SCREAM (1976), THE TASK (1979), QUARTET (1981), HEARTPIECE (1981), DESPOILED SHORE MEDEAMATERIAL LANDSCAPE WITH ARGONAUTS (1982)
No other playwright has so encapsulated the frenzied crises of our epoch--- be it existential, social or political. Muller’s work captures the schizophrenia of our times: seizing the emotional instability, detachment from reality and withdraw into the self that is triggered by attempting to conform to socio-political norms and programs. In this volume Muller covers a range of topics. He cries out at the failure and condemnation of the intellectual in the so-called enlightened age. The individual and his/her conflict with history. He scatters the ashes of revolution blighted by economic and philosophical wreckage. Memories of a revolution. The ruined landscapes the wastelands of civilization. Sexual deviancy as revolutionary tact and expression of true love. Feminist activism in the shapes of terrorism. Colonization: the birth of civilization and the depths of its destruction. Death as the final landscape in a holocaust nightmare of the future.
Muller subverts traditional stage techniques and dramaturgy. He uses and fights with Brechtian methods and dramaturgy. Constructs theatrical subterfuge. Projects Artaud’s unyielding and furious philosophy. Uses the model of synthetic-fragments to create heightened awareness in the juxtaposing of scenes and texts. Greek chorus and collective experience. Chewing up sacred texts (Shakespeare and Euripides among other sources) and displaying the spit up pieces.
Other available collections of Muller plays and texts include: EXPLOSION OF A MEMORY (PAJ), THE BATTLE (PAJ), HEINER MULLER AFTER SHAKESPEARE (PAJ), A HEINER MULLER READER (Johns Hopkins/PAJ), THREE PLAYS (Seagull Books), GERMANIA (Semiotext (e)) and THEATREMACHINE (Faber and Faber)
0 of 0 people found the following review helpful.
Two Stars
By Against Bad Poetry
Typos and an overall weak translation.
13 of 13 people found the following review helpful.
Essential Muller for theatre students
By A Customer
This is an excellent collection of Muller for anyone seriously interested in theatre. The German author's remarkable work spans political changes before, during, and after the fall of the Berlin Wall and represents a pivotal time in German society and theatre. With new treatments of classical texts (like Hamlet and Medea) as well as innovative works exploring themes of devotion and sexuality (like Quartet), this collection of short plays is a great starting point for theatre enthusiasts interested in tackling Muller.
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